No child abuser or religious maniac he, Lionel may have played a part in his son’s burgeoning reign of terror simply by having been so caring, so patient with him. At no point does Lionel cross any sort of line with Jeffrey, though – the beauty of the scene is that it so makes you wish he had. In one extended dramatic scene from earlier in their lives, Lionel at first gently, but with mounting frustration, presses young Jeffrey to disclose the contents of a head-sized wooden box – never suspecting that it does, of course, contain a head.
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While bad parenting could certainly be called a factor in the infamous cases of Ed Gein and Ted Bundy, how to account for the roots of Dahmer’s lunacy? Father Lionel (played in well-woven flashbacks by the always reliable Bruce Davison) seems a decent enough guy. However, while “Dahmer” has many more such suspenseful close calls in store, Jacobson is more interested in exploring the particulars of this uniquely twisted man’s personality, Well, given that this really happened, we all know what the cops missed that night: the contents of Dahmer’s freezer, namely, not to mention the barrel of acid he had in a back room. Incredibly, Milwaukee’s Finest actually buy Dahmer’s story, and off they go. Dahmer convinces the police officers who appear at his doorstep that the zombified Khamtay is just a bit drunk, took off after a little spat, everything is under control now. Not only does Khamtay not die he actually manages to escape. One drugged drink and a few Polaroids later, Dahmer is bent over Khamtay, methodically drilling a single tiny hole into his skull. By the time Dahmer is seen wandering into a clothing store, checking out the male mannequins, we feel as if we’re watching a documentary, peering just over Dahmer’s shoulder as he sweet-talks clueless prettyboy Khamtay (Dion Basco) out of the store and into his apartment (a new pair of sneakers is the lure). Showing a new co-worker the ropes, Dahmer even warns him about a particularly dangerous piece of machinery: “That’ll eat you up.” We’re in David Lynch land, right? Irony, we think: little does everyone know that people are food to Jeffrey Dahmer, right? He works in a chocolate factory, makes his living stamping out delicious little Santas. Patsy Cline’s “Just Out of Reach” plays on the soundtrack.
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Aided enormously by Jeremy Renner, his astonishing lead actor, Jacobson has created something we haven’t seen since “The Silence of the Lambs”: a sensitive, non-exploitative serial killer movie.Ī revolting introductory image of chocolate syrup oozing into a vat would seem to point the way to a different, more easily black-comic tone. Yet writer-director David Jacobson manages to turn what might have been a ghoulish wallow into a fascinating character portrait. By no means could “Dahmer” be called an overly pleasant moviegoing experience.
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